But my parents were pretty fed up with my wayward ways, so it was fish or cut bait, basically. And I really, as an artist, didn't want to take on the whole corporate job thing. I did make it in my early 20s, so it's not surprising that you vibe with that, because that's what it was really all about, that period between college and childhood, if you will, and adulthood. And maybe like some sweaters that we can cut our own holes, our own thumb holes in, so we can hold them down over our hands! All right, well, I'm gonna have to dress us in some pretty stompy boots and some vintage dresses. I mean, where were you at? Take us back to Guyville, if you would. I wonder if you could kind of take us back to when you were writing the songs. So Liz, I wonder, you know, with the album, you know, just turning 30, you've likely been reflecting quite a bit. But I think that was the perfect time to hear the record and relate to the record.
I wasn't introduced to this record really in full until I was in my early 20s. I'm sure you've heard this before, you know, this is a meaningful record for a lot of people, especially for a lot of women.
Well, Liz Phair is here on The Current's Morning Show. Jill Riley: You are listening to The Current.
